Lane Staccato Brutalist Walnut Dresser with Mirror

A large round lounge chair in the Satellite form that Milo Baughman designed for Thayer Coggin. The circular back wraps around a deep, round button-tufted seat cushion, and the chair rolls on brass casters.

It’s roomy enough to curl up in, or to share. It has been reupholstered in dark green velvet that reads nearly black in low light and shows its green in daylight.

A walnut table with a slightly bowed top and strongly tapered legs. The legs curve in toward the floor and give the table a light stance.

We’ve restored it, sanding the walnut back and refinishing it, and the grain is rich and even. The top is made in two sections that meet at a center seam, and it does not extend.

A three-seat sofa in its original 1970s floral upholstery. The print runs in orange, rust, cream, gold and olive over a trellis pattern. The back is a tall channel-tufted panel with softly flared wings, and the arms curve outward. The seat cushions are new, in a deep brown fabric with piping, which grounds all the pattern.

The sofa stands on dark tapered wood legs.

A rounded glass vase with a matte, satin finish in soft blue with a gray-green cast. It has broad shoulders, a gently tapering base and a flared neck with a small lip. The surface is non-reflective. There are scuffs and light scratches on the body and a thin line near the neck, all visible in the photos.

A hand-blown glass vase in a wide fan or flared shape. The glass is clear with a faint aqua tint and has tiny seed bubbles throughout, which are typical of hand-blown glass. The bowl narrows to a short round knop and a flared circular foot, and the top edge is rolled. It stands steadily on the foot.

A frosted pale aqua vase in an amphora-like shape, with a flared lip and a body that tapers toward the base. Two hand-applied horizontal bands wrap the body, and a row of applied round discs sits between them. The surface is matte and textured in the Scavo manner.

Fine pale yellow streaks run through the lower body.